Serial Composition and Atonality
INHOUDSOPGAVE
I Tonality, Atonality, Dodecaphony
II “Free” Atonality
III Nondodecaphonic Serial Composition
IV Motivic Functions of the Set
- i The set as a theme
- ii The set as melodic prototype
- iii Segmentation
- iv The association of “independent” sets
- v The incorporation of nondodecaphonic elements into the set
- vi Function of the basic cell in twelve-tone music
V Simultaneity
- i The verticalization of adjacencies
- ii The verticalization of nonadjacent linear elements
- iii The incorporation of tonal elements into the set
- iv Invariant formations
- v Segmentation
- vi The simultaneous statement of different set-forms
- vii The octave relation in twelve-tone music
- viii The tabulation of nonequivalent pitch-class collections
VI Structural Functions of the Set